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The Power of Place: Garland's Iowa

by Kurtis Meyer
Photographs by Jon Morris

Page | Intro | 1 | 2 | 3 | 4 | 5

Barbed wire Garland’s best work came from “the working side of the fence,” including stories like “Up the Coulé,” which accentuated the differences between two brothers who stood on opposite sides of a metaphoric fence.  As many have noted, when Garland stayed on the working side, dealing with agrarian material he knew first-hand, he was at his strongest;  when he moved to the other side of the fence, for example, to the city, he became more superficial.

 

#9 Barbed wire

“I see life from the working side of the fence, and not from the buggy of the visiting city novelist. . . . The beauty of the scene is there truly enough, but beneath it all are pain and squalor.  I aim to put all there is in the scene, on the surface and beneath, into my pictures.” [Garland interview, 1894]


Wet grasses

#10 Wet grasses 

  "The grass in rustling ripple, cleaves
   to left and right in emerald flow"  
["Prairie Memories," Prairie Songs, 1893]

Garland authored many poems featuring native grasses, including one entitled "A Tribute of Grasses," dedicated to Walt Whitman: 

"I bring a handful of grass to thee --
The prairie grasses I know the best;
Type of the wealth and width of the plan,
Strong of the strength of the wind and sleet,
Fragrant with sunlight and cool with rain,
I bring it and lay it low at thy feet,
Here by the eastern sea.25 

 


Timothy at the field's edge In 1870, when the Garland family moved to Mitchell County, north Iowa was part of a vast tallgrass prairie that spread across the region.  Garland makes frequent references to the verdant grasses that tempted him to halt his field work and idle away a few hours.

 

#11 Timothy at the field's edge

"The temptation to sit on the corner of the harrow and dream the moments away was very great, and sometimes as I laid my tired body down on the tawny, sunlit grass at the edge of the field, and gazed up at the beautiful clouds sailing by, I wished for leisure to explore purple valleys." [A Son of the Middle Border, 1917]


Windmill Although similar, this is not the Garland windmill, which is a bit more dilapidated than this one in a southern Minnesota field (once a farmstead), 15 miles northwest of the Garland site.  Along with barbed wire, windmills were the kind of technological advancement that marked Garland’s Iowa years.  Remember, in the 1870s, there was no gas or electricity here, no power other than wind and water, horse and human muscle. 

 

#12 Windmill

“No open prairie could be found.  Every quarter-section, every acre, was ploughed.  The very air seemed tamed and set to work at the windmills which rose high above every barn, like great sunflowers.”   [Boy Life on the Prairie, 1899]

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Last updated: 08/10/04
Maintained by
Keith Newlin | newlink@uncw.edu 

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