Robert Anthony Siegel, associate professor, MFA coordinator
Kenan Hall 1104 | 910.962.7596 | siegelr@uncw.edu

Background

MFA, University of Iowa, 1992

BA, Harvard University, 1983

 

Awards & fellowships

1992-93 Writing Fellowship, Fine Arts Workcenter at Provincetown

1992 Michener-Engle Fellowship, University of Iowa

1983-85 Mombusho Fellowship, Japanese Ministry of Education
Tokyo, Japan

 

Publications

Novels

All Will Be Revealed

All the Money in the World

Short Stories

"The Magic Box,"
Post Road Magazine, 2006

 

On teaching

In my view, good fiction is always driven by emotion, so as a writing teacher, my primary goal is to help students clarify and strengthen the emotional forces in their work. But I have other interests that cluster around this goal. I started out with a somewhat scholarly focus, studying Japanese literature in college and then in graduate school in Japan. One result of that early experience is that I’m very interested in the ways in which writers can learn from other cultures. I’m also interested in the role writers can play in bridging the gaps between cultures through translation and other forms of interchange. In 1994, I helped start the Korean Studies Publication Project, based at SUNY Stony Brook, which produces scholarly books on Korea.  My experience there was valuable for a number of reasons—I learned a lot about editing and a lot about translation—but it also left me with a new-found enthusiasm for the business of publishing. The great fun of teaching at UNCW is that I get to combine these disparate interests with my love of fiction.

Henry James called the novel “that baggy monster” because it can hold just about anything anyone wants to put in it, and the same can probably be said about writing workshops. Personally, I find it hard to talk about issues of craft without addressing the creative process, and hard to talk about the creative process without considering what it’s like to live like a writer—by which I mean the patience, ingenuity and openness to experience that the writing life requires. The great thing about the workshop method is that it allows us to step back and consider these things as they become relevant, while nevertheless keeping us anchored in the specifics of a given piece of writing.

www.robertanthonysiegel.com

Listen to Robert reading June 20, 2008,
as a part of the Authors@Google series.